On weekends, we kids would walk from our
small suburban neighborhood to the
"downtown" part of Hansburg.

Main Street bustled with activity on
Saturdays. Cars and trucks cruised slowly up
and down the street, looking for a place to
park, or stopping to let other vehicles back
out from their diagonal slots. Pedestrians of
all ages mingled, shopped, strolled, went to
the movies, and conducted business.

We had favorite places to go, down one side
of the street and up the other. The first
stop on the right was the Palace Movie
Theatre. We looked at the posters to see
the coming attractions.

This is where I saw so many of those
Hammer horror films, the sexier and more
bloody color remakes of the more subtle
black & white classics, usually starring
Christopher Lee, Peter Cushing, Veronica
Carlson, or Barbara Shelley. Also, those
Roger Corman “B” movies with titles taken
from the works of Edgar Allen Poe – The
Oblong Box, The Raven, Masque of the Red
Death – which almost always starred Vincent
Price and almost never had anything to do
with the Poe stories for which they were
named.

James Bond movies. Naked girl silhouettes
swimming languidly through the opening
credits, the hidden spy gadgets and secret
compartments in the attaché case that Bond
carried in From Russia With Love, and more
gadgets in the Aston Martin sports car from
Goldfinger, my all-time favorite.

It was time to think up the first two clues.
The protocol was to phone in the first clue
to Jeff. He and his team, Donnie and Lee,
then walked downtown and searched for
the second clue in front of the Palace
Theatre.

In addition to the big movie posters on
either side of the theatre entrance, there
were always 8″ X 10″ pictures on display,
called lobby cards, which showed scenes
from whatever movie was playing. These
pictures were in metal frames, protected by
Plexiglas. We could slide a lobby card halfway
out of the frame, write the clue lightly in
pencil on the back of the picture, and slide
it back in.

The girl sitting in the ticket booth was
accustomed to our shenanigans. She just
rolled her eyes, popped her gum, and went
back to reading a magazine.

Today’s feature at the Palace Theatre was
Horror of Dracula.

I perused the lobby cards and settled on a
picture of Peter Cushing as the vampire
fighter, Van Helsing, driving a stake into the
heart of a young female vampire as she
awakened in her coffin, wide-eyed and
screaming. Cushing’s face was grim but firm
with duty, holding the spike between the
vampire’s breasts as he hammered it into
her chest, a trickle of red blood showing
through her frilly white nightgown.

Our favorite store was Rose's Five & Ten. I
can trace each phase of my childhood by
walking down the aisles of Rose’s Five & Ten.

Starting at the far end of the store,
preschool toys lined the shelves. There were
blocks, Teddy Bears, and other dolls, like
Mickey Mouse, Raggedy Anne, and Zippy the
Chimp.

Remember See & Says? When we got a little
older, we liked to pull the strings on a dozen
See & Says at the same time, after pointing
each arrow to a different animal, producing
a din of
This is a duck, the duck says Quack
Quack! This is a cow…Mooooo! Oink, Oink!
This is a…Meow! The dog says…!

And what do they call those clear plastic
domes on wheels that you push with a stick,
like a Bissell carpet sweeper, and when you
roll it, those multi-colored balls clatter
around inside the dome like popcorn? I’ve
seen those things all my life and I still don’t
know what to call them.

The next aisle featured marbles, rubber
balls, tinker toys, LEGOS, Mr. and Mrs.
Potato Heads. This was back in the day
when Mr. Potato Head, besides sporting a
derby hat, mustache, and eyeglasses, also
smoked a pipe. Nobody thought it strange at
the time. The toy makers later removed the
pipe when Mrs. Potato Head expressed
concerns about second hand smoke.

Around the next corner were toy guns and
play kitchens, followed by BB guns and Easy-
Bake ovens. Somewhere after that were
plastic model kits of cars, airplanes, ships,
monsters, and the Visible Man, which had
transparent skin so you could see the
muscles, vital organs, and skeleton inside.

The sports equipment aisle had everything
from barbells to badminton, and naturally
included baseballs, bats, footballs,
basketballs, and Frisbees, which, in 1967,
began to appear in a psychedelic array of
day-glow colors.

The closer you got to the front of Rose’s,
the more grownup the merchandise. This
was probably a deliberate set-up, to instill
wants and expectations in the younger
children, who accompanied their parents to
the kiddy merchandise.

The thing I remember most about Rose’s is a
display table near the cash registers at the
front of the store. The items on this table
were divided, more or less, into boy and girl
sections. On one side, pocket knives,
wallets, and stopwatches; on the other
side, sewing kits, small purses, and heart-
shaped watches. The stationary was right in
the middle. Pens of different colored ink,
writing pads, rulers and protractors, pencils
& pencil sharpeners, and there, whispering
my name, right on the edge of the sissy
stuff, those singular locking diaries with the
little keyhole on the front.

The locking diary. A leather strap, attached
to the back cover, wraps around to the
front and latches, like a seat belt, into a flat
metal square with a keyhole in the center.
The strap holds your journal shut unless you
have the key. They came in Navy blue,
cherry blossom pink, forest green, and
Highlands plaid.

I didn’t buy a diary right away. There was a
vague attitude among my friends and my
parents that the diary was a girl’s item, but I
wasn’t sure why. Maybe because of its
placement on the table?

One of my first purchases from the display
table was a Swiss Army pocket knife. There
were several models to choose from. Mine
had two sharp blades (large and small), two
small screwdrivers (flathead and phillips),
bottle opener, can opener, hole punch, and
scissors. My friends and I thought those
knives were the greatest, coolest thing!
Everybody had to have a pocket knife.
The fictional town of
"Hansburg" is based on my
hometown, Christiansburg, VA,
which was known as "Hans
Meadow" in the 1700s. The
above picture, courtesy of the
New River Notes Photo Gallery,
is from a 1940 postcard, but
the Palace Theatre was still
around, and an important part
of my childhood, in the 1960s.
Geographically, in relation to
Interstate 81, Hansburg would
be closer to Grottoes, Virginia
and Weyers Cave (right, from
Google Maps).
Leather wallets were another popular
item. My circle of friends each got a
different knife and a different wallet, so we
could compare them and be different and
yet the same.

The wallets had a secret compartment flap
in the billfold section. That appeased my
penchant for mystery & intrigue at first.
Then I learned other ways I could be
different and yet the same.

While my friends started buying
magazines like
Sports Illustrated or
Popular Mechanics, I gravitated toward
Famous Monsters of Filmland.
I came to understand that the editor of
Famous Monsters magazine, Forrest J.
Ackerman, had also been a literary agent
for Ray Bradbury, Isaac Asimov, and
others. This legitimized my interest in
writing and documenting weird things. I
bought a green diary.

If my friends said, “Those diaries are for
girls,” I could say, “Look, I’m writing some
original science fiction and I don’t want
anyone to steal my ideas. I’ve got to keep
my manuscript under lock and key.”

The thing is, I didn’t actually use the diary
until much later. By the time I finally
bought the thing, I was too restless to sit
still and write. When I did manage to be
still, it was to put on headphones, lie on
my bed, and listen at loud volume to Led
Zeppelin, Jimi Hendrix, The Doors, and
Cream.

A new music store, Rock City Records &
Tapes, opened right next door to Rose’s,
with a much wider selection of music, and
you could listen to records before you
bought them. The proprietor of Rock City,
Meg Longino, was hip to the music scene
and told us intriguing back-stories, like
how Pink Floyd’s Syd Barrett blew his
mind on LSD, or the fact that Frank Zappa
produced Captain Beefheart’s
Trout Mask
Replica
album after the two avant-garde
musicians supposedly met in a cemetery.

Several years passed before I filled the
pages of my green locking diary with the
diagrams and ruminations that landed me
in a mental institution.